Harihar Temple | Revolvy
Main · Videos; Lee min ho and suzy dating news dating chinnamasta temple in bangalore dating chinnamasta temple in bangalore dating atentados contra la. Rajrappa Temple in small town Ramgarh near to Jharkhand capital Ranchi is a famous religious place. The temple of **Chinnamasta(headless), ** is located. Chhinnamasta temple is located at Rajrappa, 65 km away from Hazaribagh . While driving from Bangalore, one can take a deviation at B C Road and go .. holding mythological secrets dating back to the age of Pandavas.
Chhinnamasta drank the demons' share of the elixir and then beheaded herself to prevent them from acquiring it. She is usually depicted as red or orange in complexion and sometimes as black. She is depicted mostly nude; however, she is so posed that her genitals are generally hidden or a multi-hooded cobra or jewellery around the waist covers them.
She is depicted as being young and slim. She is described as a sixteen-year-old girl with full breasts, adorned with lotuses or having a single blue lotus near her heart. Though no legend mentions a specific weapon for the beheading,  she holds a scimitara knife or a scissor-like object in her right hand.
While her own severed head and the sword appear in two of her hands, the implements in the remaining arms vary: Her hair is loose and dishevelled and sometimes decorated with flowers.
Alternately, in some images, her hair is tied.
Additionally, she is described as having a third eye on her forehead and a jewel on her forehead, which is tied to a snake or a crown on the severed head. The crescent moon may also adorn her head. Chhinnamasta is depicted wearing a serpent as the sacred thread and a mundamala garland of skulls or severed heads and bonesalong with other various gold or pearl ornaments around her neck. Bangles and waist-belt ornaments may be also depicted. She may also wear a snake around her neck and serpentine earrings.
Three streams of blood spring from her neck, one entering her own mouth, while the others are drunk by her female yogini companions, who flank her. Sometimes, the attendants also hold severed heads not their own. While Dakini is fair, Varnini is red-complexioned. In other depictions, both are depicted blue-grey. Sometimes, her attendants are depicted as skeletons and drinking the dripping blood from Chhinnamasta's severed head, rather than her neck.
Kamadeva is generally blue-complexioned, while Rati is white. Sometimes, Kamadeva-Rati is replaced by the divine couple of Krishna-Radha in divine copulation. Below the couple is a lotus with an inverted triangle, and in the background is a cremation ground. The coupling couple is sometimes omitted entirely. This form is said to be realised only via a trance.
Though she is frightening in appearance, she is the giver of peace. Though a maiden, she increases our vigor, Mother Prachanda Chandika. The dichotomy of receiver and giver or object and subject collapses into one. Her names convey the idea that though she is fierce at first appearance, she can be gentle upon worship. Thus, she symbolises the aspect of Devi as a giver, like Annapurnathe goddess of food, and Shakambharithe goddess of vegetables, or a maternal aspect. Like all Hindu goddesses, she is decked in gold finery, symbol of wealth and fertility.
Bhattacharya, author of Hinduder Debdebi on the subject of Hindu deities, equate Chhinnamasta with the concepts of sacrifice and the renewal of creation. The names describe her as served by ghosts and as gulping blood. She is pleased by human blood, human flesh, and meat, and worshipped by body hair, flesh, and fierce mantras.
Chhinnamasta is the violent interaction between the Light and the Sound enabling Creation.
Chhinnamasta severing her own head is interpreted symbolic of the disconnecting of the Source and the manifest Creation, similar to cutting the umbilical cord between the mother and the new-born.
Further, Chhinnamasta is associated with thunder and lightning, interacting light and sound forces. Her epithet, Vajra Vairochani "radiant like the vajra"is linked to the vajra thunderbolt and its divine master - Indrathe king of heaven and the god of rain, thunder and lightning. The skull and severed head garlands signify her victory over Time and fear of Death.
Her image conveys the eternal truth that "life feeds on death, is nourished by death, necessitates death, and that the ultimate destiny of sex is to perpetuate more life, which in turn will decay and die in order to feed more life". The scimitar also signifies severance of these obstacles to moksha emancipationjnana wisdomand self-realization.
Unlike other Hindu deities who are depicted facing the devotee, Chhinnamasta generally looks at herself, prompting the devotee to look within him- or herself. The copulating couple represent the awakening in the Muladhara chakrawhich corresponds to the last bone in the spinal column.
The severed head is "transcendent consciousness". The three blood streams represent the flow of nectar when the kundalini unites with Shiva, who resides in the Sahasrara. Cremation pyres appear in the background. There are two contrasting interpretations of Chhinnamasta with regard to sexual desire. The image of Chhinnamasta standing on a copulating couple of Kamadeva literally, "sexual desire" and Rati "sexual intercourse" is interpreted by some scholars as a symbol of a person's control over sexual desire, while others interpret the goddess as being the embodiment of sexual energy.
Images where Shiva is depicted in coitus with Chhinnamasta are associated with this interpretation. The goddess is often prescribed to be visualised in the centre of the inverted triangle in the navel. Her names like Ranjaitri "victorious in war" celebrate her as the slayer of various demons and her prowess in battle. The yantra serves as aniconic representation of the goddess. She later took the shape of a wasp and killed Arunasura on the banks of the river Nandini.
At that place today is a beautiful temple of Lord Durgaparameshwari and the place is very well known as Kateel. Lord Durga also assured Sage Jabali that Shiva, Vishnu and Durga herself would grace that region and that there would be temples to worship all three of them in the vicinity. One can find a Vishnu temple near Nellitheertha at a place called Kompadavu. Lord Durga is worshipped in a place called Muchur, again near Nellitheertha.
And Lord Shiva made Nellitheertha his abode. Nellitheertha Cave Temple dates back to at least CE. It is dedicated to Lord Shiva. To the right of the temple there is a natural cave which is about metres ft long. As there is no proper gateway to the temple, the visitors are forced to crawl in on their knees to peep inside the sanctum.
There is a lake and a Shiva Lingam inside it. The main deity of the temple is Sri Somanatheshwara Shiva. In fact, the Jabali Maharshi Brindavana was recently constructed. In typical Tulu-naadu Tulu is the native language in this part of the woods tradition, the temple also has its set of "Bhootas". Bhootas are considered as the "Ganas" or warrior-assistants of the Gods.
The Lingam of Shri Somanatheshwara has been made out of pure Saligrama and is considered very sacred.Chhinnamasta temple Bishnupur, India
The Lingam has been built as Ardhanareeshwara. There are other artifacts in and around the temple which are pointers to the past glory of this place. The temple of Shri Mahaganapati has been rebuilt recently and is splendid in itself. The most beautiful aspect of the temple is the Cave.
Apart from the cave, of course, there are numerous other places surrounding the temple which are worth visiting. This hillock is about feet high and offers a splendid scenery from the top. On a day with clear skies, one can even spot the Arabian Sea.